日本画家伊東正次の襖絵　渺渺展2010

渺渺展 2010

BYO-BYO-Ten Exhibition

6月月8日（火）～6月13日（日）

10：00～18：30最終日17：00
東京銀座画廊・美術館８階会場
東京都中央区銀座2-7-18銀座貿易ビル8F

青木志子　　青木　恵　　　朝倉隆文　　池田真理子　　伊東正次　　岩田壮平　　鵜飼義丈　　金子絵理　　木下めいこ　　清見佳奈子

佐伯千尋　　坂本藍子　　櫻井伸浩　　佐藤陽子　　清水研二朗　　　たなかなみこ　　棚町宜弘　　野田夕希　　服部泰一　　平野美加　　　

廣瀬佐紀子　　松崎十朗　　三浦弘　　　水野寛奈　　　南聡　　　森美樹行近壯之助　　　吉岡順一　　　吉田千恵　　　渡邉智子

ごあいさつ

　このたびは、渺渺展２０１０にお越しいただき、誠にありがとうございます。

　この会は、日展を中心として、創画会、無所属などさまざまな場で活躍する
若手の日本画家による展覧会で、今年で１０回目を迎えました。
その時々、意欲ある若手の作家によって運営されて参りましたが、
今年も新たなるメンバーを加えた３０名で開催される運びとなりました。

　スタイルや絵画観の異なる３０名がお互いに刺激し、研鑽し合う中から、
何かをつかみ取ることができれば
という思いで一人一人が制作、展示をして参りました。
ご高覧いただきご意見ご感想などお聞かせいただければ幸いです。　

　では、最後までごゆっくりご鑑賞ください。

２０１０年６月　　　　　　　　　　　　　　
渺　渺　展

-Greetings-

Welcome to BYO-BYO-Ten Exhibition!!

This is a Japanese-painting-group which consist of approved younger artists who have various art careers,
such as belonging to a major contributory art group,
The Japan fine arts exhibition, another radical group The So-ga Kaiﾕ, and the rests are freelance, respectively.
This exhibition annually (basically in June) takes place at a gallery in Ginza
( The most sophisticated and fashionable area in Japan. So to say, it is the Mecca of Japanﾕs art world.) Tokyo.
Our main motto is Constructive Progression Together.
In this connection, BYO-BYO literally means extending eternall in Japanese.
We would like to make efforts and do our best by means of exchanging constructive opinions sometimes having arguments among us.
Thus, we develop our worlds beyond our existing abilities just following the name.
This home page contains photos of series of our Japanese-painting works.
We hope you have a look and enjoy them.
If you could give us your constructive, possibly critical opinions, we would be so happy with it.
If you have any question about artists and paintings, and require more detailed information,
please do not hesitate to contact and inquire us at any time whenever you need.
Thank you very much indeed.

-What's Japanese painting?-
To be honest, it is difficult to define what's Japanese painting.
When you see those paintings just at a glance, apparently they resemble western oil paintings.
In the recent Japanese painting world, students have studied in accordance with imported western methods
(recognizing light and shadow to represent objects)in at least a last century,
but not with traditional Japanese way (focusing on lines which define objects).
We can tell, the only obvious point is material. We basically use typical Japanese paper made from fiber of particular plants,
pigments made of minerals, dying materials and Indian ink.
We make good use of ability of Japanese paper and another traditional materials,
we can express and enjoy unique and subtle expressions such as gradations and natural spreads.
Sometimes metal leaves, such as gold, silver, brass, and copper, can be used to make decorative textures.
Any those circumstance aside, we dare try and experiment somehow to develop brand new Japanese painting world all together.